Breaking Patriarchal Culture in Damsel (2024) Movie: A Semiotic Analysis using John Fiske's Theory

Authors

  • Almasyah Salsabiila UIN Syarif Hidayatullah Jakarta
  • Tuty Handayani UIN Syarif Hidayatullah Jakarta
  • Saefudin UIN Syarif Hidayatullah Jakarta
  • Sholikatus Sadiyah UIN Syarif Hidayatullah Jakarta

DOI:

https://doi.org/10.26714/translite.v2i2.810

Keywords:

Damsel, Feminism Ideolog, John Fiske, Patriarchal Culture, Semiotic Analysis

Abstract

This research aims to analyse how the Damsel (2024) movie breaks down patriarchal culture. It used John Fiske's semiotic theory, which focuses on three levels: reality, representation, and ideology. The method of this research is qualitative methods and used data card techniques as a tool to obtain valid data. By taken from scenes and dialogue in the Damsel (2024) movie which contained depictions of patriarchal culture and efforts to break it from beginning to end, resulted. The results of this research is to show how patriarchal culture is represented in Elodie's family and environment, and her responses including the arranged marriage by her parents. The ideology presented here is feminism ideology through John Fiske's theory. Elodie's character successfully breaks through the existing patriarchal culture and demonstrates feminism ideology and supported John Fiske’s theory. The movie served as a medium for feminism and the defense of women’s rights in both fictional narratives and broader societal contexts.

References

Bhandari, M. P. (2024). Feminisms in Social Sciences. www.intechopen.com

Biana, H. T. (2020). Extending bell hooks’ Feminist Theory Extending bell hooks’ Feminist Theory Extending bell hooks’ Feminist Theory. In Journal of International Women’s Studies (Vol. 21, Issue 1). https://vc.bridgew.edu/jiws

Bina, O., Mateus, S., Pereira, L., & Caffa, A. (2017). The future imagined: Exploring fiction as a means of reflecting on today’s Grand Societal Challenges and tomorrow’s options. Futures, 86, 166–184. https://doi.org/10.1016/j.futures.2016.05.009

Febryningrum, G. W., & Hariyanto, D. (2022). John Fiske’s Semiotic Analysis in Susi Susanti’s Film -- Love All. KnE Social Sciences, 46-51–46–51. https://doi.org/10.18502/KSS.V7I12.11502

Gupta, M., Madabushi, J. S., & Gupta, N. (2023). Critical Overview of Patriarchy, Its Interferences With Psychological Development, and Risks for Mental Health. Cureus. https://doi.org/10.7759/cureus.40216

Hakim, L., & Kurnia, W. (2023). Representation of feminism in Miss & Mrs. Cops (John Fiske’s semiotic analysis). Islamic Communication Journal, 8(1), 21–40. https://doi.org/10.21580/icj.2023.8.1.12601

Hamilton, A. B., & Finley, E. P. (2019). Qualitative methods in implementation research: An introduction. Psychiatry Research, 280. https://doi.org/10.1016/j.psychres.2019.112516

Inuq, M. A. (2022). Cultural Belief of Arranged Marriage as a Patriarchy System Towards Freedom of Choice in I am Nujood, Age 10 and Divorced by Minoui Delphine. Online) Prologue: Journal on Language and Literature, 8(1). https://prologue.sastra.uniba-bpn.ac.id/index.php/jurnal_prologue

Jagri, E. M., Asantewa, J., Sappor, C. S. A., Jagri, E. M., Asantewa, J., & Sappor, C. S. A. (2025). A Critical Review of Income-Generating Activities and Livelihood Programs: Empowering Women for Gender Equality and Sustainable Development. Open Journal of Social Sciences, 13(6), 32–49. https://doi.org/10.4236/JSS.2025.136003

Mawa, B. (2020). Challenging Patriarchy: The Changing Definition of Women’s Empowerment.

Mohajan, H. (2022). Four Waves of Feminism: A Blessing for Global Humanity.

Mohajan, K., & Haradhan. (2022). Munich Personal RePEc Archive: An Overview of Feminism and Its Categories. In SEP (Vol. 114625, Issue 3).

Nichasuk, M. W. (2020). Parasite : A Reflection On Social and Economic Disparities in South Korea.

Noviana, D. A., & Simanjuntak, M. B. (2022). LITERACY : International Scientific Journals Of Social, Education and Humanities Representation of The Impact Of Social Gap That Affects Moral Values In The Film “Parasite.” http://jurnal-stiepari.ac.id/index.php/LITERACY

Ortner, S. B. (2022). Patriarchy. Feminist Anthropology, 3(2), 307–314. https://doi.org/10.1002/FEA2.12081;JOURNAL:JOURNAL:26437961;PAGEGROUP:STRING:PUBLICATION

Özturk, Y. M. (2020). An Overview of Ecofeminism: Women, Nature and Hierarchies. The Journal of Academic Social Science Studies, 13(81), 705–714. https://doi.org/10.29228/JASSS.45458

Parkin, R. (2021). Arranged marriages: Whose choice and why? Reflections on the principles underlying spouse selection worldwide*. History and Anthropology, 32(2), 271–287. https://doi.org/10.1080/02757206.2021.1905255

Rosida, I., & Rejeki, L. (2017). Woman in Patriarchal Culture: Gender Discrimination and Intersectionality Portrayed in Bob Darling by Carolyn Cooke. Insaniyat: Journal of Islam and Humanities, 1(2). https://doi.org/10.15408/INSANIYAT.V1I2.4345

Rubi. (2023). Movies As Mirrors of Politics: Reflecting Sociopolitical Realities on the Silver Screen. https://www.researchgate.net/publication/374502875

Sayogie, F., Amalia, I., Raisa, N., & Sabila, P. (2023). The Construction of Feminist Movement Culture for Tackling Casual Sexism on Twitter. 19(1). https://doi.org/10.13187/me.2023.1.171

Sayogie, F., Farkhan, M., Zubair, Julian, H. P., Al Hakim, H. S. F., & Wiralaksana, M. G. (2023). Patriarchal Ideology, Andrew Tate, and Rumble’s Podcasts. 3L: Language, Linguistics, Literature, 29(2), 1–12. https://doi.org/10.17576/3L-2023-2902-01

Syahriyani, A., & Novikasandra, M. K. (2022). Feminism in Enola Holmes Film: A Semiotic Lens. Elite : English and Literature Journal, 9(2), 204–218. https://doi.org/10.24252/ELITE.V9I2.32298

Downloads

Published

2025-09-30

How to Cite

Almasyah Salsabiila, Handayani, T., Saefudin, & Sadiyah, S. (2025). Breaking Patriarchal Culture in Damsel (2024) Movie: A Semiotic Analysis using John Fiske’s Theory. Journal of Translation, Linguistics and Literature, 2(2), 84–95. https://doi.org/10.26714/translite.v2i2.810